DaveWielgosz
Name: David WIelgosz
Bio: My name is Dave Wielgosz and I am a comic book writer from Western Massachusetts. I self-publish a comic called The Ace Rocketman Anthology that always consists of several serialized stories, and you can read the first chapters of them on our website at Acerocketman.wordpress.com. I'm also an avid comic book fan, and Ifanboy is one of my favorite comics podcasts. I'm also a big movie, tv, music, and general pop-culture fan.
Earlier this year I finally took it upon myself to finally watch the much heralded tv show Freaks and Geeks…
Read full review and commentsSometimes it’s alright to walk away. To leave something just the way it is because it can’t get any better….
Read full review and comments
I'm really happy to say I've gotten a lot of my new college friends who've never read comics before to become regular readers using your run on the Fantastic Four and now the FF. Your peers often compliment and talk about your ability to plan things out years in advance issue by issue I was hoping that you could share this process with us. I'm an aspiring comic writer and the answer would mean a lot to me.
Thanks for the show guys good luck with everything!
Tellos by Todd Dezago and 'Ringo
Bone by Jeff Smith
I'd say that whole run of Impulse and Young Justice respectively were both fantastic All Ages Comics. I say because I started reading both when I was five and never felt like it was innapropriate for me to read.
Ultimate Spiderman by Bendis, Bagley, Immonen, and Lafuente
A lot of your peers have referred to you as "the most technical" writer they've ever met in a very positive manner. I was familiar with your work from things like 52 but I never read a lot of your solo stuff until Batwoman came out, and then I went on a Rucka Binge and I'm almost done with Gotham Central and Queen and Country (and couldn't be more bummd out that i'm almost done) but upon reading these it seems to me that more than a lot of writers you fully realize a story striking a perfect balance between characer and plot, and better than a lot of people you find a way to give every artist the ability to play up their strengths and then in turn they put 110% on the page and you can tell. Can you ellaborate on how you structure a story, and how you go about collaborating so well with all the artists you work with? Thanks Greg, I'm a huge fan of the stuff I've read so far, and I can't wait to read more.