muddi900
Name: Mudassir Chapra
Bio:
Pull List
For Comics shipping on 05/23/12
- BATMAN, INCORPORATED #1
- THE FLASH #9
- MIND MGMT #1
- FABLES #117
- I, VAMPIRE #9
- THE UNWRITTEN #37
- ALL-STAR WESTERN #9
- CHEW #26
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Reviews
Story There are 2 problems with Grant Morrison; for one he’s incredibly pretentious, and I do not mean the memetically…
Read full review and comments“I only wised Hercules himself had worn e’en a thong. ‘T was not a view I relished.” - Thor, Incredible Hercules…
Read full review and commentsPatrick Gleason got robbed. He has been drawing the setup to this fight in his book for the past 2…
Read full review and commentsAll reviews by muddi900
muddi900's Recent Comments
Light Week? Try YOUNGBLOOD #71, THE COMIC BOOK HISTORY OF COMICS TP, or BATMAN: THE DARK KNIGHT #9
May 24, 2012 4:54 am The first year of Red Robin was brilliant.
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Occupy Digital
May 24, 2012 4:42 am That's not how logic works. There are like 5 logical fallacies in your statement.
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Occupy Digital
May 23, 2012 3:55 am Many studies have shown that I have the largest penis in the world.
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Occupy Digital
May 23, 2012 3:54 am @Andrew It has happened before, so it will happen again. Because Magic.
@Rob3E As I pointed out, you can buy comics through comixology.com, and then download to your tablet to read. It is purely based on assumption that it increases the publishers cut.
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James Stokoe Irradiates New GODZILLA Mini, ORC STAIN Goes Back to Print and SULLIVAN’S SLUGGERS Rounds the Bases
May 22, 2012 5:37 am Fuck you I want that page!
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Occupy Digital
May 22, 2012 5:21 am I like how everyone is so eager create another monopoly after years of enduring Diamond.
Also, by my calculations, and indie creator gets nothing from a digital sale. If we have a former comixology rep not under NDA, please correct me.
30% goes to Apple when you buy through your ios device.
At least 30% goes to comixology, because it would zero sense to cede a larger margin to Apple, who have zero investment in the project.
At least 30% goes to comixology, because it would zero sense to cede a larger margin to the other two parties.
10% to the creator, at most. A typical indie comic is 3-3.5 USD, which means at best 35 cents per sale, which isn't bad when you consider the abysmal royalties recording artists get. Walking Dead, the highest selling non-licensed comic book in April, sold around 30,000 copies. At 13%, the digital sales would be around 3900, meaning a net sales $1365. Digital sales aren't large enough to warrant going after the market.
I guess as a consumer, you can chose to buy comics through the comixology website, as it takes away Apple's/Google's cut, though I don't know if that changes too much.
And to the 'Digital is future DERP!' people; why do you think it's the future? Can you give one sound argument where the current model can lead to a healthy market in the future? Suppose all comics are available through all vendors, but comics bought from one vendor does not work with other vendors format, they do not work on every device, they do not have a consistent quality across devices and they do not have any price advantage over print. It seems this future of yours does not have any comics in them.
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iFlashback! May 21st, 2003
May 22, 2012 4:40 am Ah, the monkey-rape issue of Powers...
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Occupy Digital
May 22, 2012 4:21 am @jimski I think you need a dose of this: http://notalwaysright.com/
@NiodNolan This was an editorial. A misguided one, but still. It was an expression of opinion on the creators choice. It doesn't require any sort of entitlement.
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‘Young Justice’ – S02E04 – “Salvage”
May 20, 2012 4:42 pm If Whedon's movie was like John's Avengers, it would have taken 5 hours for the Chitauri to invade and all characters would speak exclusively in pointless exposition introducing us to 50 year old characters.
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‘Young Justice’ – S02E04 – “Salvage”
May 20, 2012 3:38 am The first season was like Grant Morrison's JLA.
The second season is like Geoff John's Justice League.
BOOOOOOOOO!
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