BATMAN AND ROBIN #2

Review by: Quinn

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Avg Rating: 4.6
 
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Size: pages
Price: 2.99

I feel a bit like a freak for not enjoying this book.  90% of iFanboy readers think it’s the best book this week, but I can’t bring myself to care what happens in it.  I love Dick Grayson, and I enjoyed RIP and Battle for the Cowl, but reading the reviews of this book I feel like I’m at a party where everyone else’s drugs have kicked in and they’re tripping balls, but I’m standing around shuffling my feet waiting to come up.  Which is to say: I’m clearly not having the same experience that everyone else is.

It’s just dull.  I don’t care about the whining of Damien.  I don’t care about Dick’s angst (and I usually love Dick’s angst).  I don’t care if Damien goes over to the dark side.  I don’t even care enough to speculate whether or not he will.  I don’t care if Dick finds acceptance as Batman.  I don’t care if they get the bad guy.  Alfred was okay, Gordon was a prick (he doesn’t recognize Dick’s voice as the guy he worked with for years?  Really?) and the villain is drying paint.  The sad thing is that I want Dick to be Batman.  I don’t want Bruce back any time soon.  I love the idea of the mantle passing to someone who really deserves it, but the execution here bores me.

Then there’s the “art.”  Lots of people love Quietly, and that’s okay.  There are people who like it when you pee on them and I don’t judge them, either.  Quietly’s art, to me, is like that: someone peeing in my eyes.  His figues are freakish and wrong and his layouts are flat.  He’s more watchable here than in the past (perhaps he spent some time looking at actual people, people without cotton in their mouths), but it’s still awful.

If asthetic apreciation were democratic, I’d be wrong.  Luckily, I get to say that this was one of the worst comics I’ve read in weeks.  I gave it a chance.  After the real thrill that was RIP, I gave this two issues.  I will now RIP it up, or at least stop buying it.

Story: 1 - Poor
Art: 1 - Poor

Comments

  1. I thought this comic was a 4/4, but I see where you’re coming from. Pick up almost any of the Batman comics Morrison did between #663 and #682 and compare them to Batman & Robin. In his previous run there were SO MANY hidden meanings and clues in every issue. In the two issues of B&R, on the other hand, there’s just nothing to think about or puzzle over in a productive manner; instead it’s just: sit back and enjoy it, soak it up. I am enjoying it, but it saddens me to see people shortchanging what came before this, which was waaay deeper and more innovative. This series is really just lowest-common-denominator stuff. Pick up Batman #663 or #673 or #674 or #677, for example; its obvious that Morrison put seriously like 50x as much effort and creativity into each of those issues than he has into B&R, yet people love the simple stuff more. It reminds me of something Morrison wrote in the letter column of the Invisibles: he said that he was basically just writing JLA in his sleep, to pay the bills, while what he was doing with the Invisibles was what he really cared about. I get the same impression regarding B&R vs. his Batman run. Yet people love his JLA and B&R. The stuff that’s more difficult gets shortchanged by nearly everyone. (Quitely’s a better artist than Daniel, though, imo, that’s for sure.)

  2. I couldn’t disagree more. This series offers the reader a chance to lighten up and enjoy a fun light read. In a world where unemployment is hitting 9.5%, people are losing their homes and life isn’t always peaches, its a quick distraction, where… just for a moment, you can forget everything and enjoy the show.

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