BATMAN #680

Review by: JumpingJupiter

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Avg Rating: 3.8
 
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Size: pages
Price: 2.99

I guess I’m gonna have to eat my words. Well, some of them at least.

I’m
one of those who feels mainly indifferent to this event. Things started
off rough, and I don’t go for the “In Grant We Trust” philosophy. My
opinion is that if a writer is going to do something outlandish and
unconventional, it is doubly important to give the reader a very clear
and solid center to which he/she can anchor. Otherwise you risk
confusing or worse still, boring the reader. My review of this issue is
that it’s great, but my review of the “R.I.P.” event is that its
greatness comes too late.

The greatness of the issue is
displayed in several ways. In a brilliant scene featuring an engrossing
monologue by M. Le Bossu we learn the motivation of the antagonist’s
henchmen. Also, fascinating was Batman’s awareness of and reaction to
the events happening to him. For instance, when Batman asks Bat-Mite,
“Are you really an alien (…) or just a figment of my imagination?” he
echoes the readers sentiment. It’s reassuring. Another strong point of
the issue is its pacing. This reads swiftly and rhythmically, lending
the more surreal elements some much needed grounding. The book has
several of these clever devices which also can be found in Batman #679.

But… It’s not quite enough to save “R.I.P” for me. It’s all too late.

My
problem with “R.I.P.” is that Grant had not, up until the last issue,
made me “feel” anything. To me this story was not an event happening to
a person but a retooling happening to a brand. I know many of you will
argue that this is Morrison, and it’s all coming together as faithfully
predicted. Not for me it isn’t. Though this issue was strong and does
an excellent job of bringing the larger story down to earth and making
it an actual story, I get the sense that at this point no amount of
“coming together” can mend my bored little heart.

But hey, I’m buying it. That counts for something.Well, I guess I’m gonna have to eat my words. Well, some of them at least. I’m one of those who feels mainly indifferent to this event. Things started off rough and I didn’t go in for the “In Grant We Trust” philosphy. My opinion is that if you’re going to do something outlandish and unconventional it is doubly important to give the reader a very clear and solid center to which he/she can anchor. Otherwise you risk confusing or worse still, boring the reader. Both the former but moreso the latter in my case. I digress this is not a review of the event, it’s a review of this issue and this one, in a nutshell, is great but late.

In a brilliant scene featuring an engrossing monologue by M. Le Bossu we learn the motivation of the antagonist’s henchmen. Also, fascinating was Batman’s awareness of and reaction to the events happening to him. For instance Batman asks who I now know is Bat-Mite (no thanks to the author but rather on-line forums) “Are you really an alien (…) or just a figment of my imagination?” echoing the readers sentiment. It’s reassuring. Another strong point is pacing. This reads swiftly and rhythmically lending the more surreal elements some much needed grounding. The book has several of these clever devices since alo found in #679. But… It’s not quite enough too late.

My problem with R.I.P is that Grant had not, up until the last issue made me “feel” anything. To me this story was not an event happening to a person but a retooling happening to a brand. I know many of you will argue that this is Morrison and it’s all coming together as faithfully predicted. Not for me it isn’t. Though this issue was strong and does an excellent job of bringing it down to earth and making this an actual story, I get the sense that at this point no amount of “coming together” can mend my bored little heart. You had your chance to make me care G-Mo and you blew it.

But hey, I’m buying it. That counts for something.

Story: 3 - Good
Art: 4 - Very Good

Comments

  1. Yep, it counts for everything if you’re DC, if you love it or hate it, they still get paid.

     I think "great but late" is a nice tagline for this issue. I’m with you in liking stories that make sense & maybe that sounds obvious, but most of the fans of this story have actually enoyed the feeling of being lost & confused & knowing so little of what’s going on. I like a mystery as much as the next reader, but there is a difference between a mystery in the story & the plot itself being the mystery.

    I agree with you, this issue could have come earlier & less "wacky" & "out there" concepts could have been forgotten & Mr Morrison could have just concentrated on telling a decent story.

  2. Actually, by great but late I mean that what Morrison is doing well in this issue should have happened in  earlier issues. Such as learning Bossu’s motivations. It’s too late for that characte moment. If we had been let into his and his peers’ mind earlier in the story it might have made the enigmatic elements more palpable as we would have known the characters well and given an in to their world.

    This story is sort of told backwards with all the essential elements to engross the reader at the tail end of it.

  3. Yep, I’m with you on the "great but late thing". An issue that mostly makes sense & explains some things usually is a good thing to keep people interested in reading. I want to know what happens now in the story, but I haven’t enjoyed this story arc overall, because it feels like I’ve been walking through a foggy dark lane at night while I’m drunk.

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