Brian Michael Bendis can write the hell out of Norman Osborn. It’s just that simple. This issue really brought the Sentry story to a head and it did so in a great way. It goes to great lengths to explain why the Sentry in Siege is a lot quieter and a lot more sadistic than he has been in the past. The art is nothing to sneeze at either. The layouts continue to amaze me and after this run I’ll gladly follow Deodato to any project he moves to. This little plastic castle Norman has built for himself is finally toppling all around him and it’s fucking beautiful.