@Jimski: I am taking the stand that Sayid shooting Ben is not a deviation from what has happened. It looked like Ben in this episode knew the outcome and that is why he (in his own weird way) positioned Sayid to the event he already knew happened.
My only hang-up is the weird Christian - Sun - Lepidas scene from last week
It is part of a series that came out during the 90s
Author:Carlos Castaneda
Date:1972
Genre(s): Essays; Nonfiction novels
Journey to Ixtlanis the third in the series of books written by Carlos Castaneda about his experiences and apprenticeship with don Juan Matus, a Yaqui Indian sorcerer. The first two books,The Teachings of Don JuanandA Separate Reality, introduce Castaneda as an anthropologist interested in the use of peyote--a hallucinogenic derived from cactus--among Indians of the southwestern United States and northwestern Mexico. He becomes acquainted with don Juan, an expert in the use of three hallucinogens: jimson weed, peyote, and a mushroom from the genusPsilocybe.He eventually becomes an initiate of the sorcerer. The first two books describe the apprenticeship by recounting a series of experiences in "nonordinary reality" produced by the ingestion of psychotropic plants.Journey to Ixtlan, on the other hand, focuses on the worldview of the sorcerer, who posits that the world at hand is merely a description that humans are gradually indoctrinated into as children. In order to transcend that view, according to don Juan, one must "stop the world" and then learn how to see, which is contrasted with ordinary perceptions that are likened simply to "looking."
Journey to Ixtlanis divided in two parts. Part I, "Stopping the World," comprises the journal-like entries Castaneda compiled from December 1960 to December 1962 in which don Juan spells out his approach. Don Juan stresses the need for full awareness and connection with one's surroundings, as in the chapter titled "Reaffirmations from the World Around Us"; reestablishing personal identity by freeing oneself from ego and from the socialization process of community; breaking from routines; assuming responsibility for all of one's actions; and becoming what don Juan calls a warrior--an alert, disciplined, and independent man of power. The warrior is likened to a hunter, always alert to his surroundings and ever-searching for a position of advantage, or avoiding points of disadvantage, against potential adversaries. The attributes of a warrior are reflected in state of mind--alert, serious, respectful--and body, from the way one moves ("the gait of power") to the way one cares for oneself. The experiences Castaneda has under don Juan's tutelage are both mental and physical: the former involves the practice of noticing and interpreting everything in one's surroundings, from the direction of the wind, to the nature of vegetation, to finding omens, and the physical includes actual hunting expeditions for food. Part One concludes with Castaneda forced to employ everything he has learned in a confrontation against a sorceress called La Catalina.
Part II consists of three chapters in which Castaneda returns in 1971 to visit don Juan. They are joined by don Juan's friend don Genaro, who had made several appearances in Part I and performed incredible feats--from swimming on a floor to summoning thunderous noises from nearby mountains. The sorcerers recap elements of Castaneda's apprenticeship and reiterate with dazzling and sometimes frightening examples what it takes to be a warrior. Castaneda admits to still feeling overwhelmed by immense and dangerous powers into which he has been initiated as well as feeling sad about having to relinquish his personal history--friends, places, artifacts, and other forms of comfort. Don Genaro describes his own life as a sorcerer as a journey to Ixtlan, the place from which he came and now can never go back. The sorcerers inform Castaneda about his final step--an appointment with his "ally" in a dark valley ahead. The ally will further empower and protect Castaneda now that his apprenticeship is fulfilled. As don Juan and don Genaro turn away to leave him to his appointment, don Juan insists that Castaneda should only go if he is ready: "Nothing is gained by forcing the issue. If you want to survive you must be crystal clear and deadly sure of yourself." Castaneda watches them walk away until they disappear in the distance, then goes to his car and drives away, knowing his time is not yet at hand.
Source: "Journey to Ixtlan," inLiteratureResourceCenter, Gale Research, 1999.
@Jimski: I am taking the stand that Sayid shooting Ben is not a deviation from what has happened. It looked like Ben in this episode knew the outcome and that is why he (in his own weird way) positioned Sayid to the event he already knew happened.
My only hang-up is the weird Christian - Sun - Lepidas scene from last week
It is part of a series that came out during the 90s
Author: Carlos Castaneda
Date: 1972
Genre(s): Essays; Nonfiction novels
Journey to Ixtlan is the third in the series of books written by Carlos Castaneda about his experiences and apprenticeship with don Juan Matus, a Yaqui Indian sorcerer. The first two books, The Teachings of Don Juan and A Separate Reality, introduce Castaneda as an anthropologist interested in the use of peyote--a hallucinogenic derived from cactus--among Indians of the southwestern United States and northwestern Mexico. He becomes acquainted with don Juan, an expert in the use of three hallucinogens: jimson weed, peyote, and a mushroom from the genus Psilocybe. He eventually becomes an initiate of the sorcerer. The first two books describe the apprenticeship by recounting a series of experiences in "nonordinary reality" produced by the ingestion of psychotropic plants. Journey to Ixtlan, on the other hand, focuses on the worldview of the sorcerer, who posits that the world at hand is merely a description that humans are gradually indoctrinated into as children. In order to transcend that view, according to don Juan, one must "stop the world" and then learn how to see, which is contrasted with ordinary perceptions that are likened simply to "looking."
Journey to Ixtlan is divided in two parts. Part I, "Stopping the World," comprises the journal-like entries Castaneda compiled from December 1960 to December 1962 in which don Juan spells out his approach. Don Juan stresses the need for full awareness and connection with one's surroundings, as in the chapter titled "Reaffirmations from the World Around Us"; reestablishing personal identity by freeing oneself from ego and from the socialization process of community; breaking from routines; assuming responsibility for all of one's actions; and becoming what don Juan calls a warrior--an alert, disciplined, and independent man of power. The warrior is likened to a hunter, always alert to his surroundings and ever-searching for a position of advantage, or avoiding points of disadvantage, against potential adversaries. The attributes of a warrior are reflected in state of mind--alert, serious, respectful--and body, from the way one moves ("the gait of power") to the way one cares for oneself. The experiences Castaneda has under don Juan's tutelage are both mental and physical: the former involves the practice of noticing and interpreting everything in one's surroundings, from the direction of the wind, to the nature of vegetation, to finding omens, and the physical includes actual hunting expeditions for food. Part One concludes with Castaneda forced to employ everything he has learned in a confrontation against a sorceress called La Catalina.
Part II consists of three chapters in which Castaneda returns in 1971 to visit don Juan. They are joined by don Juan's friend don Genaro, who had made several appearances in Part I and performed incredible feats--from swimming on a floor to summoning thunderous noises from nearby mountains. The sorcerers recap elements of Castaneda's apprenticeship and reiterate with dazzling and sometimes frightening examples what it takes to be a warrior. Castaneda admits to still feeling overwhelmed by immense and dangerous powers into which he has been initiated as well as feeling sad about having to relinquish his personal history--friends, places, artifacts, and other forms of comfort. Don Genaro describes his own life as a sorcerer as a journey to Ixtlan, the place from which he came and now can never go back. The sorcerers inform Castaneda about his final step--an appointment with his "ally" in a dark valley ahead. The ally will further empower and protect Castaneda now that his apprenticeship is fulfilled. As don Juan and don Genaro turn away to leave him to his appointment, don Juan insists that Castaneda should only go if he is ready: "Nothing is gained by forcing the issue. If you want to survive you must be crystal clear and deadly sure of yourself." Castaneda watches them walk away until they disappear in the distance, then goes to his car and drives away, knowing his time is not yet at hand.
Source: "Journey to Ixtlan," in Literature Resource Center, Gale Research, 1999.
Source Database: Literature Resource Center
@ nickmaynard
The book is
A separate reality : further conversations with Don Juan