This series gets better and better. We get a glimpse of what looks like the Plutonian’s childhood. It’s hard to tell if it is a flashback, but there is a clue that points in that direction (front door). In this issue the art is the strongest it has ever been. I’m not sure if it’s the inks and coloring or just the pencils getting better, I just know it’s the best I’ve seen (except for the splash page from a previous issue of the Plutonian hovering over what used to be Singapore). We also gain new insight on why the Plutonian became evil. The pieces of the puzzle are creating a picture. Lastly, this book is returning to some of its roots from issue one: children’s skeletons 🙂