AMAZING SPIDER-MAN #641
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PENCILS: Joe Quesada, Paolo Rivera & Marcos Martin
LETTERED BY: NEUROTIC CARTOONIST, INC
COVER BY: Paolo Manuel Rivera
Size: 40 pages
Price: 3.99
This review contains spoilers, click here to read
Peter and MJ in the present time begin to wrap up their conversation with what happened next at the House of Strange. We are told in flashback, (but Peter doesn't know any of this part so this is omniscient flashback narration) that Doctor Strange, Reed Richards and Tony Stark discuss whether or not to mindwipe the planet of Peter's secret identity. Since this is a flashback, Strange manages to convince them to help out. Strange casts a spell as well as a protective orb so that he alone will remember. (because apparently someone has to) We see that Peter risks getting mindwiped himself before he brings MJ into the orb. This is how MJ remembers that Peter is Spider-Man.
Now that his secret identity is safe, Peter and MJ should be back and better than ever right? WRONG. MJ feels that it's only a matter of time before someone finds out who he is and comes after him and MJ and their families (Because that's never happened before! Nope! Never ever!) and so she leaves him while he goes to see Aunt May recovering in the hospital.
Back in the present, MJ tells Peter that he should stop "waiting for something that isn't going to happen" and move on with his life. That someone special is out there waiting for him. (Hint "Carlie Cooper" Hint) Peter smiles and says that a huge weight has been lifted off of his shoulders. He swings through the night saying that his "best friend, the best person he's ever known...set me free."
At first I thought I would just let the story above be the review and to let the complete and utter crappiness speak for itself. But I know there are some who feel this story was either brilliant, good or otherwise fairly decent. So I will illustrate to you why I think this whole story arc and this issue in general rivals OMD in terms of its storytelling, character development, and overall tone.
In chronological order of the issue:
1) Doctor Strange, Tony Stark and Reed Richards playing Illuminati one last time to rid the world of the knowledge of Peter's identity. If it was that simple, if it was only a matter of Tony Stark "infecting the world" with his Extremis program and Strange doing his biddity-boppity- boo to take care of the rest, why didn't they think to do this sooner? Or Why didn't Peter think to do that? If he knew or figured Strange could do it, even by himself, why didn't he go to him in the first place?
2) Tony makes an excellent point in that Peter's own decisions (Revealing his identity, telling Tony to suck it and leaving, going on the lam) are his responsibility and he should face and deal with those consequences. A-frickin-men! The only reason he does this is because Stephen Stranges GUILTS him into it by saying that Tony's just butthurt that Peter stopped "believing in him" and it hurt his ego.
3) Why did we need this explained in such detail? We know that the mindwipe happens, who cares if Reed and Tony objected at first! You could've came in at the point where Reed goes technobabble about digigenetic viruses and the reader wouldn't be lost on it! (Maybe some of you would go, "but they just said yes? No questions asked?" Of course there'd be questions asked! We just didn't need to know about them! IT'S ENTIRELY POINTLESS!)
4) Once the deed is done, MJ begins wangsting about how being Spider-Man's girl is putting her family in danger. Um, why didn't you think of that sooner? You've been with him for twenty plus years real time and it's only NOW, after some no-name thug says he's going to whack your family, do you take this seriously? As though facing down things like demons, Venom, The Chameleon, Doc Ock, etc; didn't convince you of this already?
5) And don't think this got away unnoticed but why did Joe Quesada use his own art from OMD but put different dialogue? There is no excuse for that. Absolutely none. I don't give a crap if it's because it's late or because he wants to tie it in as one final reminder that OMD was "the best thing since sliced bread only you idiotic mopes can't see it because you're too obsessed with fictional characters and should grow up." Using fifteen pages from One More Day to drive the nail into the coffin of Peter and MJ's relationship is not only sadistic, but it's just flat out lazy. And you, Mr. Quesada, should be absolutely ashamed of yourself.
6) Mary Jane telling Peter that he's "been wondering, waiting for something that's never going to happen." The subtlety of this line is oh who am I kidding? That line is about as subtle as this review! MJ is parroting Joe Quesada's words to the fanbase by taking her character and making her into a complete and total twit! Another bit of subtlety here: "[MJ] set me free." Because marriage is known as "the old ball and chain", right, Joe? Your wife must be so glad to be married to such a wonderful, caring, devoted husband who thinks that every day with you is better than the day before!
7) How does this explain Harry coming back to life? Not a single point in this whole story arc does Harry come up. He isn't even mentioned! And what about Peter's extra powers from "The Other?" Where did they go? Why aren't they still around? We get NO explanation about this. And this was supposed to be the story that explains everything.
The art from Rivera isn't bad really, but Quesada continues to avatar Peter after himself in the panels of the present day.
Every line of dialogue in the penultimate scene comes off as forced, contrived and just plain stupid. This whole series as an arc didn't need to exist. There was no reason for this comic to be made. The reveal for the mindwipe could've been done in another issue. MJ being relegated to a scapegoat for making the deal behind Peter's back was unnecessary and down right petty, and her attitude through this whole thing shows that Joe Quesada hates the character of MJ because she has displayed time and again to be stronger than the character presented here!
Joe Quesada basically just flipped the middle finger to the entire fanbase of Amazing Spider-Man and some folks will still think he did a good job. I think that is possibly the worst of this whole sordid affair.
Art: 2 - Average
Give Quesada a break! You have to admit that the writers of Spider-Man are essentially in an impossible situation. Spidey’s story will never end, and thus he can never get that happy ending that we all hope for on some subconscious level. Spider-Man’s readers have grown-up, and now a more intelligent audience demands that the story be taken in new, unexpected, exciting directions. In order to do this regularly it might occasionally be necessary for a little hocus pocus to set the clock back. It could be worse- instead of angry, you could be bored.
I’m with you on this writeofway
So a new, unexpected and exciting direction is that he have his marriage sold to Satan because his wife/girlfriend was written to be a complete twit, he gets to bed-hopping with a couple of girls (Black Cat and his roommate to name two and Carlie Cooper, Quesada’s mary sue is in the running) he gets black-balled from his public profession and made unhirable by anyone’s standards because he tried to save his boss’s job, his love life is in shambles, now just because MJ says "Get over me already" he suddenly feels like he can take on the world? This is the kind of stuff that would get you an "F" in creative writing if it were a kindergarten course!
Storytelling of this suckitude gets no breaks, no mercy and no quarter from me. This is, hands down, the worst story I’ve read all year and it rivals its predecessor in terms of pure putrid storytelling.
Oops, sorry. i know that large font was super annoying
No problem.
@writeofway I really enjoyed your first comment. That last paragraph would have been an adequete review for this comic in itself.
Damn . . . I didn’t read this and will skip the hardcover not cuz I hate the whole premise but cuz I never read the original arc so I don’t really care (and the bad responses don’t help).
Lot of anger as if this was done to personally offend a bunch of you.
I think the best gift Quesada has giving the Amazing Spider-Man fanbase is almost two years of really good stories.
But that may just be me.
"Tony makes an excellent point in that Peter’s own decisions (Revealing his identity, telling Tony to suck it and leaving, going on the lam) are his responsibility and he should face and deal with those consequences. A-frickin-men!"
See, the problem with your logic is that the current version of Peter Parker isn’t actually about responsibility anymore. Sometimes he mouths the "responsibility" mantra, but it’s just a vapid cliche with no meaning anymore.
Peter Parker used to be a scientist. Now he’s an airhead.
Peter Parker used to joke sometimes while being Spider-Man, because it was like a different side of his personality vs. how he was normally. Now he jokes all the time as if he seriously has mental problems or obnoxious personality disorder, believing he lives in a sitcom and hearing a constant laugh-track in the background.
Peter Parker used to be about growing up. Now he’s just about living in perpetual "college sophomore"-status, not taking anything too seriously but believing he actually, probably, somehow knows something about the world. Basically any Will Farrell doofus character can compete with the current Peter Parker in terms of "responsibility".
That’s not to say that I haven’t liked the handful of Brand New Day stories I’ve read. For what they are, they’re good comics. But in some of their overriding themes, they’re also a total desecration of the Peter Parker that lots of discerning readers GREW UP with. But, of course, many readers don’t want that; they think they want smarter comics but all they want are comics that are more fun, and "fun" in this case equals bastardized characterization. Peter Parker was a brilliant kid who overcame awkwardness, became a family man, and then…thanks to BND…regressed into an airhead.
@froggulper: Apparently you and I read different Spider-Man comics, now and in the past.