The iFanboy Letter Column – 02.11.2011

Friday means many things to many people. For some, Friday means it’s wing night. For others, Friday means cake. For yet more, Friday is just another day when you eat more vegetables, and want steak badly. So badly.

At iFanboy, Friday means it’s letter column time.

You write. We answer. Very simple.

As always, if you want to have your e-mail read on the any of our shows or answered here, keep them coming — contact@ifanboy.com


Today I learned that a family member died, and I also learned about who died in the FF. Now, whether I want to or not, if I recall one event I’ll remember the other. I’m not suggesting that comics are as significant in my life as passing family members — sometimes your mind just ties the most random of events together. Like it or not, that’s what I’ve got here.

Are there any happenings in your life that you associate with something that happened in the comic book world?

Sheli

That’s a really good question. I think it would work for any form of entertainment: albums, movies, books, whatever. For me, comics have been around my whole adult life. Because of them, I’ve met and even become friends with some of my favorite artists and writers.

I have some very specific memories about comics though. I remember Conor reading Watchmen for the first time on my couch in college, surrounded by dudes playing Goldeneye on N64. I remember going to the Ithacon in the snow, and Ron was driving, and we drove into a Saab. I still made it down to the show, and got a Thor sketch from Walt Simonson, my first ever, and it’s on my wall today. I remember reading Box Office Poison in one single stretch, because I could not stop reading it, writing to Alex Robinson to do an interview, and becoming friends with him a decade later. Ask me about any point in my life, and I’ll tell you the comic shop I was going to at the time, and how much I liked the guy running the place. I remember getting Absolute Watchmen just before going on a trip to Joshua Tree National Park to go camping in 116 degree heat, and deciding not to bring the book along, and calling in to the audio show by phone for the first time ever.

That’s how these stories get intertwined into our lives. That’s how they become important. That’s why people get so bent out of shape about things changing, because it’s all related in our minds. I kind of love that.

Josh Flanagan


I have been reading comics for about 20 years. I mention this because I should be an expert comic reader by now. However, I have noticed that it is still difficult to have the same emotional connection with a comic book as with a movie or even novels (The Walking Dead comic and Scalped may be exceptions, but then I think the Scalped movie experience would be pretty damn good). This may be attributed to the lack of actual voices, music score, or having a movie and its pace directed to you. But on occasion I find myself speed reading through comics and not “directing” the comic properly to myself. This gives me the feeling that I would be more emotionally invested, it if it was a movie played and interpreted by actors with a score.

Do you guys deal with this issue at all? Any tips on how to read comics to give the story a bigger impact? Why can’t I lose myself in a comic the same way I do in movies and novels?

This is the part where you help.

Michael from Ottawa, Ontario, Canada

*Puts down newspaper*

Oh, I believe I can help, Michael. Actually, we covered this in a recent show we did, “Comics That Make You Cry”. On that show I revealed that no comic book has ever made me cry. Nor has any prose book. I have a cold, dead heart of stone!

Only, no, wait, I don’t.

At least once a week I weep like a baby during any number of emotionally manipulative melodramtic network dramas. And films! When King George IV finally steps up to the microphone in The King’s Speech? Woof. I’m a big ol’ softy when it comes to movies and TV shows and yet no comic book nor prose novel sets me off.

You’ve hit on a lot of the reasons why I think this is the case. For me it’s a lot easier to immerse myself into a television show or a film than it is a comic book or a novel. There are actors and there is music and I am experiencing the stories through multiple senses all of which can illicit an emotional response. I love comic book art but for me seeing heartbreak on a face drawn in a comic book can’t compare to seeing it portrayed by a skilled actor. I think the fact that there is that extra layer of fantasy between me and the story in a comic book works to its detriment. Intellectually, I know that what the actor is going through isn’t real, but because it’s being portrayed by a real person I can invest myself, emotionally. When it’s a drawing on a page not only do I know, intellectually, that I’m reading a story, but emotionally I’ve got nothing to really latch on to because I’m looking at a drawing and not a real person. This doesn’t mean that I don’t feel anything while reading a story rather than watching one on a screen, it just means that I just never get into that headspace where I have fully given myself over to the story, emotionally.

It’s a tricky thing, these brains of ours that we have. What one person responds to in a real, emotional way won’t even cause the next person to bat an eye. It’s fascinating.

Now you mention that you speed read your comics and that might be a reason why you don’t connect with your comics emotionally. Well, that could definitely be a reason, but even if it isn’t — slow down, man! Take your time and enjoy these funny books. If you’re speed reading through your comics every week ask yourself this: are you reading these comics because you enjoy them or because you feel like you have to, like it’s something you need to get over with.

Conor Kilpatrick


I’ve been a steady comic reader for a few years now, and I was just wondering what you guys thought of good X-Men titles going on now that I should read. I don’t have a whole lot of history with the X-books other than a few trades of the Lee/Kirby and Claremont/ Cockrum run through the Marvel Masterworks collections. I would really like to get into some of the new stuff either in trade or monthly issues. If you could let me know that would be awesome.

Matt

This is the question that seems to have plagued the X-Men books for decades. It seems as if everyone “knows” about the X-Men, with most comics fans at least reading something along the lines, most likely the Claremont/Byrne golden age of X-Men comics (most notably “The Dark Phoenix Saga”). And like a good soap opera, the X-Men books have built up years of stories and characters to the point where it sometimes can feel daunting to start reading them now. As I’ve always said when asked this question, no time is better than the present and to just dive right in! So, in terms of what books should you read? I’m proud to announce that new official answer to the “What X-Book should I read?” question here at iFanboy HQ is: Uncanny X-Force.

The new series written by Rick Remender with art by Jerome Opena provides a unique window for the reader who’d like to jump on to the X-Books. Why is this book the answer? A few reasons:

1) It just started, so there’s not a ton to “catch up on.” The first issue came out in October, 2010, and they just wrapped up the first story arc. So you could literally pick up the next issue and jump right on.

2) It features a small, tight knit group of characters: Wolverine, Archangel, Psylocke — characters you may know about already, along with Deadpool and Fantomex, who may be new to you and could be some fun.

3) It’s the best X-Book on the stands right now. The stories Remender is weaving and the art by Opena is dynamite. X-Book aside, this is just a fantastic comic book and worth every penny of it’s cover price.

There’s your answer, Uncanny X-Force.

Honorable mention would have to go to the flagship book, Uncanny X-Men, which has been hit or miss in terms of must-read-ness. But with a writer change happening, transitioning from Matt Fraction to Kieron Gillen, along with the fact that I do like the direction it’s been going in, I can’t quite recommend it over Uncanny X-Force yet, but in a few months time, maybe I will.

Ron Richards

 

Comments

  1. I will alway associate Zelda: Orcarina of Time with the Offspring’s Americana. Also I read Watchmen and Maus while on a plane, if i’m reading either or on a plane, i think of the other. 

  2. Whenever I’m reading X-Men I’m always thinking about the first X-Men books I ever bought back in the ’90’s – the Onslaught event, and how I bought every tie in issue.  And it reminds me that I was living in Phoenix, working 7am to midnight, two different jobs, 6 days a week, just to survive, hating life, and here I was blowing any extra money I had on what I thought were great comics at the time.
    I just can’t read an X-Men comic without that thought in the back of my mind.

    Although, Uncanny X-Force is helping me to forget. 

  3. Uncanny X-Force is the real deal.  That book is great.

  4. Am I the only one that reads comics in my head with different “voices” for each character? I can get exactly the same kick from a panel as I do from a movie.

  5. Did Ron sayalong with Deadpool and Fantomex, who may be new to you and could be some fun”? 

    Me thinks, that Remender’s mutant power may be to make even iFanboys enjoy a story with Deadpool.  But as for him being new to anyone, that may be a stretch.

    That said, X-Force does kick major buttox.

  6. @Shallam  I do that with comics I really like.  I do different accents if it calls for it, I read as I think the character would speak, with pauses, etc.  If there’s an audio cue in any panel, I make sounds in my head for those too.  I find it to be a lot of fun.

    I just bought the first X-Men Omnibus and in the intro even Stan Lee jokes about how coming on an X-Men book every few issues or so, a reader needs a fact sheet for the characters, because so many are coming and going in the title.  And as an aside, it’s pretty damn annoying that every sentence in those comics ends in an exclamation point!  I try to avoid it, but I just can’t get passed it! 

  7. @BizDaddy  He meant Fantomex.

  8. I am going to hop onto X-Force next issue with the new arc since there seems to be Deathlocks involved.

    However, there is only ONE X-book that has been good ever since I got back into comics… X-Factor. The quality of that book every month is unbelievable.

  9. Very few things emotionally move me. Movies, TV, books. They have to hit the perfect note at a moment I am particularly vulnerable to a certain concept. Generally, the few things that do are great tragedies. Triumphs rarely do much for me outside the intellectual.

  10. X force number one!!!

  11. One of the main reasons Warren Ellis’ Planetary was so late was because the comic was tied to instances of tragedy and  personal loss. 

  12. NOTE: the “Michael, from Ottawa, Ontario, Canada” is not me. IMPOSTER!

  13. That first letter asks an intriguing question and Josh provided an interesting answer.  Good job Sheli.

    The closed I’ve come to that experience is reading The Road over Christmas one year.  The two did not mix well. 

  14. @Shallam  Ditto on hearing voices. I mean for the comic dialogue! Sometimes it will be the voice from an animated version of the character, or that of some person (usually an actor) who reminds me of the character. I can’t not hear Simon Pegg when I read Wee Hughey in “The Boys,” or Eminem in “Wanted,” because sometimes characters are drawn to resemble actual celebrities. And if the writer has written a character with an accent, I often find myself sounding it out in my head in the appropriate accent. Garth Ennis did a couple of Battlefields stories about British tank crews (“Tankies”) and the dialects were written so well I could totally hear them in my head. “Knight and Squire” has been that way too.

    Let’s not talk about the “other” voices I hear in my head…

  15. From now until the day I die, I will always hear Kevin Conroy for Batman and Mark Hamill for the Joker.

  16. I actually find that comics touch me emotionally more than most things, at least on a track record basis – reading through bits towards the end of Y – the Last Man and Preacher certainly choke me up, as well as graphic novels like Pedro and Me. It has occasionally happened with TV, prose, film, even videogames, but I’m sure it has happened most with comics. Maybe I’m strange.

    @Michael from Ottowa I also have to disagree with your Scalped comment – as much as I want Jason Aaron to make lots of money like he deserves, I hope Scalped never gets adapted, it’s perfect as a comic. I’m not protective of many franchises or series, but Scalped works so well purely as a comic. 

  17. @mikegraham6 – want to start a mike from Ottawa club?

    Thanks all for the response to my question, and really good question @sheli

    I do use voices and accents in my head. Somewhere in The Boys it was mentioned that Butcher sounds like Michael Caine, after that it was always in my head. I also listen to lyric-less music, the Daft Punk Tron soundtrack is really good. Any other suggestions? Occasionally I’ll even dim some lights to get atmosphere. It’s normal for movies right?

    I guess if I get lazy, I’m not directing the story properly…

    @Cooper — agreed. Comics is the best medium for scalped and also walking dead. Still a scalped film would be interesting.

    Michael

  18. @WeaklyRoll  a nod to your zelda memory.  We incorporated Legend of Zelda music into our wedding ceremony and now that’s all I can think of when I hear that theme.

  19. King George VI

  20. We’re in the middle of a revolution in Egypt right now so maybe it’s the anti-establishment side talking but I must respectfully disagree with my esteemed colleagues and say that X-Factor is the best X-book right now.  I have heard dynamite things about X-Force but it is 6 issues in.  Many books have fantastic opening arcs and then fizzle.  See: House of Mystery, Rising Stars, Emmissary.  Peter David has been knocking it out of the park on X-Factor for 66 issues now.  Yes the art can be a little iffy at times and things got a little dicey when Rahne and Layla left for awhile but the dialogue is razor sharp and funny and the characters have depth and dimension.  I’m going to actually go out on a limb and say in terms of consistency the only other team book I consider to be in the same ballpark is DC’s Secret Six.  Just one man’s opinion but I feel like X-Factor doesn’t get enough love.  Oh yeah, and I teared up at the end of I Kill Giants.