June 5, 2008
It was my first serious original art purchase, a beautifully rendered Walt Kelly Pogo Sunday strip featuring the titular possum and his critter buddies playing baseball. A heady sense of ownership swelled in my breast as I gazed at it fresh from its cardboard packaging and newly displayed in my office at Skywalker Ranch. As I’ve mentioned here recently, once upon a time we ranch workers were allowed to decorate our offices with originals loaned from the Lucasfilm archives. This glorious cartoon, however, was all mine. I had saved for months to purchase the piece and now I would proudly hang it alongside the Drew Struzan Indiana Jones portrait that was merely “on loan.” Exulting in my treasure, I took it down to the main house to show it around. Upon entering the library, I discovered two ranch hands hanging a familiar-looking work of art over the fireplace. “That’s Maxfield Parrish’s ‘Garden of Allah.’” I said in an awed hush. “The original!” “That’s right.” The librarian said. “George picked it up in an auction last week. What’s that you’ve got there?” I tucked the sheet of Bristol board behind me, sheepishly whispered “Nothing” and slunk out the back door.
Paul Dini is the Emmy and Eisner Award winning writer of Batman: The Animated Series, Superman: The Animated Series, Detective Comics, Countdown among many, many other things. You can find him online at either kingofbreakfast.livejournal.com or http://www.jinglebelle.com/.
I would have showed the Pogo off as if it was a Warhol. The only thing that matters in art is your own point of view.
Maxfield Parrish is one of my favorites.
Nothing like the super rich to make the common man feel downtrodden. 🙂
I am in a love-hate relationship with Maxfield Parrish – currently we are on the outs.
Is that the difference between rich and wealthy ?
Dude, I totally would’ve shown off the Walt Kelly; that shit is *historic*.