WONDER WOMAN #17

Review by: Jazzlawyer


Size: pages
Price: 2.99

Let’s talk about continuity for a moment.  I’m not someone who has a fit just because I read something in a comic that contradicts something printed ten years ago.  If I read that Wolverine hates Budwiser but then see him ordering a Bud three months later it’s not a big deal to me.  100% continuity is never going to be possible in a shared universe with multiple writers and editors working with the same characters. 

The Wonder Woman series however has been a train wreck in continuity since its One Year Later relaunch.  Queen Hippolyta is either dead, or being impersonated by Granny Goodness though its not clear which is the current standard in the DCU.  Paradise Island is either deserted except for Hippolyta and some apes, or it’s being controlled by Granny Goodness and a bunch of tricked Amazons.  Weren’t the Amazons banished in Infinite Crisis and then rendered powerless mortals in Amazons Attack, and yet now have their powers in Countdown? 

I’m not talking about decades of continuity, this book can’t even follow continuity from six months ago.  The problem seems to stem from the fact that each writer that’s worked on the series post-Greg Rucka have been tasked with fixing the character and thus have been given leave to basically do what they want.  Which is a fine sort of freedom to give someone like Grant Morrison or Brian Michael Bendis who are proven comics people, but Alan Heinberg has never met a deadline he couldn’t miss and Jodi Picoult was just filler.  That’s why we got two back to back Circe stories that seemed to not reference each other at all.

Maybe the best way to read this book is to imagine life as the guy from Memento, with no short term memory.  If it’s not tattooed on your body it doesn’t matter, and thus if you’ve not yet got the current status of Diana’s mother inked on your arm then it’s best not to worry about it.  Gail Simone crafts a pretty good story, and seems to have a better handle on the character than anyone since Rucka.  Ideally she’ll stay around long enough to establish some continuity authorship which should lead to some continuity in the actual story.  Also it’s a beautiful book, with Terry Dodson drawing the heck out of Wonder Woman.

Story: 3 - Good
Art: 4 - Very Good

Comments

  1. Hmm interesting, I actually found the art in this one weak.  Not that Dodson is doing any wrong quite the opposite. I couldn’t help notice that some of the art seemed…off…turns out at least some of this book wasn’t by Dodson.

  2. I just have to respond to a couple misnomers in this review.

    1.  The very first issue of this arc specifies that it takes place prior to an issue of Countdown.  I believe the issue of countdown is one that establishes that Granny Goodness Amazons are running the island.  I think we need to give Kudos to DC editorial for putting that warning/info box in there to allow us continuity fans to fit it into the overall DC continuity.  This should have been their policy from the beginning – no "where it fits" boxes in Countdown, but instead in all the other DCU titles.  Easier for a title to reference another, than 1 title to reference the rest of the line.

    2.  Granny Goodness did not impersonate Hippolyta, she is impersonating Athena. 

    3.  I think Alan Heinberg (who certainly shares some blame) maybe only part of the problem for all the delays early in Wonder Woman’s run – based off how much fill-in art was in this issue.  Again, I applaud DC for this new policy to keep comics coming out on time – its time for artists to get things done on time.  

    As for the Circe story arcs, to me they fit together well.  She had a scheme in Who is Wonder Woman, and then returned almost immediately with a new scheme in Amazon’s Attack.  And there was some referencing of the first scheme in Amazon’s Attack.  

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