JUSTICE LEAGUE GENERATION LOST #10
Review by: sakuuya
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Breakdowns by KEITH GIFFEN
Art by JOE BENNETT
Covers by CLIFF CHIANG
Variant covers by KEVIN MAGUIRE
Size: 32 pages
Price: 2.99
This review contains spoilers, click here to read
About halfway through this issue, there's a scene where Fire and Ice talk about Ice leaving the team. It's definitely the most in-character Ice has been in this series, and she talks like a an adult and a hero instead of the petulant teenager she's been up til this point. It's a sweet, well written moment.
And then Tora calls Bea a bitch. Thanks for ruining it for me, Mr. Winnick.
There was another moment in this issue where Max compares Batman to "a naked broad walking into a room full of rapists." It's a tasteless, bad joke, but the bigger problem I have is that it feels like something Winnick thought of for another character to say and then, wanting to get it into the issue somehow, just stuck it in a random character's mouth.
Everything without Max and Magog in it in this issue moves fine, but those first few pages were slow going for me. I get that they're trying to set up some big disaster, but it's so far removed from anything the characters I actually care about are doing that it didn't have any of the impact of the Captain Atom issue.
The best part of the issue, was a scene with Batman and Power Girl that addresses some of the problems I have with the long term of Max's brainwash-everyone-on-earth scheme. It doesn't make a ton of sense, but it's still very interesting.
Also, hey, can we cut it out with the gratuitous ass shots, Generation Lost Artists? There were so many of them this time that, upon re-reading the issue for this review, I was surprised that the sweet Bea/Tora scene wasn't framed as talking butts rather than talking heads. Bennet did, however, do a good job with Magog's costume. It's a ridiculous, terrible costume (is he wearing Cable's pants?), but for some reason, I quite liked the way Bennet drew it. And I didn't have to see his ass, which is nice.
And then Tora calls Bea a bitch. Thanks for ruining it for me, Mr. Winnick.
There was another moment in this issue where Max compares Batman to "a naked broad walking into a room full of rapists." It's a tasteless, bad joke, but the bigger problem I have is that it feels like something Winnick thought of for another character to say and then, wanting to get it into the issue somehow, just stuck it in a random character's mouth.
Everything without Max and Magog in it in this issue moves fine, but those first few pages were slow going for me. I get that they're trying to set up some big disaster, but it's so far removed from anything the characters I actually care about are doing that it didn't have any of the impact of the Captain Atom issue.
The best part of the issue, was a scene with Batman and Power Girl that addresses some of the problems I have with the long term of Max's brainwash-everyone-on-earth scheme. It doesn't make a ton of sense, but it's still very interesting.
Also, hey, can we cut it out with the gratuitous ass shots, Generation Lost Artists? There were so many of them this time that, upon re-reading the issue for this review, I was surprised that the sweet Bea/Tora scene wasn't framed as talking butts rather than talking heads. Bennet did, however, do a good job with Magog's costume. It's a ridiculous, terrible costume (is he wearing Cable's pants?), but for some reason, I quite liked the way Bennet drew it. And I didn't have to see his ass, which is nice.
Story: 4 - Very Good
Art: 3 - Good
Art: 3 - Good
I agree that it did feel like some sorta editorial comment Winnick wanted to make personally, but it touches upon the age old question held over Batman, whether his presence causes or necessitates the existence of his rogue gallery. Winnick clearly feels it is the former, whereas I think it is the latter. I mean it’s analogous to the argument politicians have been making for years that violence on TV or video games cause crime. My feeling is that if Batman were not there to stop the likes of Joker or Killer Croc, Gotham would be in a whole lotta trouble, and that the notion that the concept of his existence somehow gives people like a sub-conscious suggestion to become a crazed, maniacal costumed-killer is to me irrational.
I agree (though a shared universe makes the existence of any one specific hero less important when it comes to stopping bad guys, IMO). But it’s possible that Winnick feels the same way. If the woman in his analogy gets raped, it’s completely the rapist’s fault and not her fault at all. Likewise, the costumed loons who tend to pop up around Batman are not Batman’s fault. I don’t know if that’s what Winnick intended to say with the line (because, again, it’s terrible and out of place), but it might be.
Wasn’t it Max that said the line? I don’t know if I would attribute it directly to Winnick. I thought Winnick thought it was the sort thing Max would say. I think Winnick thought it was a clever, if evil, analogy. I agree it came off as a bit much.
For me, the choice is either "that line came directly from Winnick" or "Winnick is really terrible at writing Max," because it’s not the way Max talks. Since Winnick writes Max pretty well overall, I’m choosing to believe that he (Winnick) just really liked the line and wanted to get it in the book.