JUSTICE SOCIETY OF AMERICA #50

We’re celebrating the fiftieth issue with an extra-sized spectacular and a roster of artists you won’t want to miss!

The team must explore a bizarre and fantastic underworld found beneath Monument Point… with the help of the one and only Challengers of the Unknown!

And why was Senator Eagin out to get the JSA during the long-ago witch hunts against the mystery men?

Written by MARC GUGGENHEIM
Art by HOWARD CHAYKIN and more
Cover by FELIPE MASSAFERA
Variant cover by DARWYN COOKE

Price: $4.99
iFanboy Community Pick of the Week Percentage: 0.0%
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Comments

  1. Might pick this up, jumped off shortly after johns left, looked at a few issues here and there and didn’t really care for what i saw, but I suppose nows as good a time as any to check back in

  2. I’ve been loving this. Can’t wait to see what this sets up!

  3. Since Johns left, my interest has waned greatly, but I’m not ready to drop it.  It’s been readable, just not terribly exciting.  The magic is gone.

  4. the cover makes it worth checking out but @a.99 I am prob too cheap to buy it.

  5. Can’t wait. This has been billed as a jump-on point.

  6. Im psyched to see this series as All-Stars gets folded into this group again, I think we’ll see a lot of that magic return!

  7. Here nothing bad bad things about this run. Injecting all the new blood seems a mistake.

  8. This issue was really really good. I especially enjoyed the Perez art at the beginning. The part where Johnathan Kents witnessing of a JSA fight before Clark became Superman inspired Martha’s design for Supes costume.

  9. so JSA All-Stars book is going to be cancelled? I liked JSA better with Power Girl and the others in this book.I got JSA All-Stars trade paperback and must say it is a good series.Only problem is i’m poor and i can’t afford getting JSA and JSA All-Stars in the same month.I will just wait for JSA All-stars trades.

  10. Great multi-part story by Marc Guggenheim that wraps up the last arc and spans the history of the JSA with four distinctly and appropriately different artists. The weakist link was Chaykin’s art — a little too sloppy and computery — for an otherwise great retelling of the JSA before congress. Derenick subbed in nicely for Kolins’ painter style in the last part.

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