Sayhitobooyah
Name: Timmy Clark
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TEASER: This is Gonna Be ENORMOUS
May 9, 2012 10:10 am I'm by no means cheap but doesnt $10 for a 64 page book seem a little....much?
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WonderCon 2012: The Lizard Returns to THE AMAZING SPIDER-MAN, The PUNISHER goes to SPACE!
March 19, 2012 11:13 am Slott is a terrible writer. I've read every ASM since the low 300's and Slott is one of the worst i've seen on the title. The last ASM story with them in space wasn't readable.
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New Comics for 02/01/2012 is fond of the new Honda commercial
January 31, 2012 10:24 am BQ: Kid Darth Vader volkswagon commercial!
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DEADLINE: Submit Your “Avengers vs. X-Men: Playtime’s Over” Entry By Thursday!
January 27, 2012 10:20 am I'm hoping to see a dramatic fight with wolverine vs beast with huge conflcit in interest on this..... "non event"
non event
no event
event...
This is an event isn't it?
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Any Cover You Can Do, Dave Johnson Can Do Better
November 22, 2011 10:39 am It's very easy to take someone elses work and "improve it" especially in ones opinion. Honestly Johnsons colors looks very poor and it looks nothing like the diner in the story. Futakis cover looks like something from the book while johnsons looks like a nighttime murder shack. Also Johnsons white logo sticks out to much, it looks more like an advertisement then a comic logo. Your eye it completely focused on it and it takes away from the art.
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After Deadman, DC Universe Presents…The Challengers of the Unknown
November 10, 2011 10:06 am Ahhh their debut was in showcase #6 now coming back in Dc presents #6. icwhattheydidthere
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Pick of the Week – 10.19.2011 – Uncanny X-Men #544
October 21, 2011 9:42 am @ Alan no you don't need art training to dislike someones art but people aren't saying they dislike it, they're saying its bad. Notice the difference? People are following suit but can't point out why the art is "bad". Disliking is fine, I dislike lots of art styles but i can still admit if they're done well. Don't say its bad, especially if the reason is he traces. Does that make sense? If he traced everyting would be done perfect.
Like i said before It can't all be traced, he over uses certain poses but thats lack of creativity, which is why his pages are dull. It'd be impossible to try and draw a full book on tracing.
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Pick of the Week – 10.19.2011 – Uncanny X-Men #544
October 20, 2011 2:36 pm You'd be surprised about how often all artist trace and stealfrom other artist. It's also not directly traced and more copied and used as references. Especially with these re-launches and any re numbering issues. all artist look over people who've previously drew the line and re-used some specific/classic poses. I've seen Land draw in person and he has the talent to draw from nothing but why not use a photo,magazine or whatever? Look at alex ross, everything he does is beautiful but everything is from a photo. I draw and recently started working on a book, theres no way anyone could get by soley tracing and stealing otheres work. I have 20+ long boxes of books, hundreds of trades and still couldnt find eveyrhting i needed if i wanted to.
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Pick of the Week – 10.19.2011 – Uncanny X-Men #544
October 20, 2011 1:11 pm How so? His characters and pretty much everything is drawn very well but theres not much flair or action on his pages. Theres a difference. When people complain about his art, I'd assume they mean more about how hes drawing the characters or something else, rather then how he shows movement or expression. Me having an art background can pick out a lot more things hes doing wrong then 90% of the people complainging about his art.
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Pick of the Week – 10.19.2011 – Uncanny X-Men #544
October 20, 2011 10:25 am I don't understand all of the hate for greg lands art. Do any of you have an art background? His art, though dull is very good.
As for people complaining about this not being a great issue or if it was 545 it wouldnt be here. The point is its not a regular issue, it being the final issue of uncanny alone can award it the spot. The issue was done well and is a milestone issue ending one of the greatesst runs in comic history.
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